(Trumpet, cornet, guitar, 1915–76) After Bobby Hackett was praised in Down Beat by Boston critic George Frazier in 1937, he headed to New York and settled into a group of neo-traditional players loosely associated with Eddie Condon. Although a lifelong fan of Louis Armstrong, Hackett’s gentle, fluid lyricism made him a more logical descendent of ...
(Vocals, b. 1930) Robert Calvin Brooks was born in Rosemark, Tennessee. He began recording in 1951 and was associated with B.B. King, Little Junior Parker, Johnny Ace and others in Memphis. A suave, deep-voiced blues romantic, he signed with Duke Records in 1952 and was one of the most consistent hitmakers in the soul ...
(Vocals, b. 1950) A vocal gymnast and daring improviser, McFerrin is one of the most distinctive and uncategorizable singers in contemporary music. His remarkable range (he makes uncanny leaps from deep bass tones to the highest falsetto zone), elastic delivery and incredibly open-minded nature allow him to convincingly cover everything from pop, R&B, jazz and rock to ...
(Guitar, bass, harmonica, b. 1940) Rush’s mix of vaudeville stage antics and soul-blues grooves has made him the king of the modern chitlin circuit. Born in Homer, Louisiana, Rush moved with his family to Chicago in 1953, already mesmerized by Muddy Waters and Louis Jordan. He emerged from the West Side blues scene in the ...
(Vocals, b. 1935) This gifted Ironton, Ohio-born singer possesses a laconic, empathic baritone voice that has made him one of country’s most adventurous and imaginative song interpreters. During the 1960s, Bare found pop chart success and popularity with folk audiences with wistful, pop-flavoured crossover ballads like ‘Detroit City’ (1963) and ‘Streets Of Baltimore’ (1966). He was ...
(Singer-songwriter, 1936–73) Aged 20, New York-born Walden Robert Cassotto’s chart career started with the novelty million-seller, ‘Splish Splash’. Leading The Rinky Dinks, he next charted with ‘Early In The Morning’ (later a hit for Buddy Holly), and in 1957 ‘Queen Of The Hop’ also sold a million. His major breakthrough was 1959’s million-selling ‘Dream Lover’, followed by ...
(Vocals, b. 1942) Philadelphia-born Robert Ridarelli regularly appeared on Paul Whiteman’s TV talent show, and played with Frankie Avalon in Rocco and The Saints, before signing with the local Cameo label in 1959. His biggest success was 1960’s million-selling US Top 3 hit, ‘Wild One’, although the same year’s ‘Volare’ (US Top 5) has aged better. Probably ...
(Vocals, b. 1943) The former Robert Velline was prominent among a crop of insipidly handsome boys-next-door who thrived in the early 1960s, having deputized on stage for Buddy Holly the evening after the Texan’s fatal plane crash in 1959. Vee’s hits included ‘Rubber Ball’, ‘Take Good Care Of My Baby’ – a US No. 1 – ‘Run To Him’ ...
(Guitar, vocals, b. 1925) Riley B. King, from Indianola, Mississippi, is arguably the last surviving authentic blues artist. Orphaned, he took up guitar aged 15, turning professional after US military service. In 1947, he moved to Memphis and lived with cousin Bukka White. There, he worked on a local radio station, ...
Blues guitarist Johnny Winter (b. 1944) was born in Beaumont, Texas. Albino and cross-eyed from birth, Johnny showed a precocious talent for music, taking up the clarinet at the age of five and switching to guitar after a brief flirtation with the ukulele. Inspired by bluesmen like B.B. King, Muddy Waters and Bobby Bland, he ...
(Harmonica, vocals, 1932–71) Herman Parker Jr. was born in Bobo, Mississippi and worked with Howlin’ Wolf as early as 1949 in West Memphis. Parker was associated with B.B. King, Bobby Bland and Johnny Ace in the Memphis scene of the early 1950s. He recorded for Sun with his own group, the Blue Flames, in ...
(Keyboards, guitar, bass, drums, trumpet, vocals, b. 1963) Born Judge Kenneth Peterson in Buffalo, New York, this child prodigy keyboardist had played on The Ed Sullivan Show by the age of six. His father is soul bluesman James Peterson. At 17, Lucky became Little Milton’s bandleader and then played with Bobby Bland. ...
The 1950s was a big decade for blues and jazz – arguably, the biggest. In the wake of international triumph and the stirrings of empire, the US enjoyed a boom of babies, cars, television, and urban and suburban development, that trickled down to embolden a stronger movement for civil rights for black people, inspired ...
When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...
Country music and gospel have always been close partners, since many gospel acts come from the American South, and Nashville, the home of country music, lies in the heart of the Bible Belt. Numerous influences abound within the Church, stretching from traditional shape-note singing that goes back several hundred years, to today’s contemporary and Christian ...
AUTHORITATIVE
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.